Nostalgia plays an important role in Black Metal nowadays, especially considering the fact that many look to its roots as a source of inspiration to varying degrees of success.
That being said, Temple of Hyperborea stands not only as a call back to a time when Black Metal was still at its peak, but also proves the point that the genre is still capable of conjuring monumental albums which continue to perpetuate those sounds and atmospheres from years before.
Throughout the album there’s a notable influence coming from the glory days of the Norwegian scene. A welcome surprise which may transport the listener to desolate and cold landscapes.
Beyond the incredibly competent instrumentation done by Sepherus (Cold Buria), it’s important to highlight Warlord’s (Evil, Werewolf Bloodorder) vocal delivery as well. This may be his most monstrous and aggressive performance so far.
Not only that, but Temple of Hyperborea’s debut could easily pass as some kind of lost album from Black Metal’s golden years, since it brings forth so many elements that were integral to the genre and masterfully constructs an ode that remains cohesive and deeply rooted in its arrogance.
For any fans of what was forged in Scandinavia during the mid 90s and later Absurd, Engraved From The Cemetery Gates is a mandatory listening experience.
Coming sometime later this year on LP and CD formats, courtesy of Darker Than Black.
